Documents associated with: Album, see portfolio
Record 23 of 26
System Number: 08384
Date: [21 November 1895]
Recipient: David Croal Thomson
Repository: Library of Congress
Call Number: Manuscript Division, Pennell-Whistler Collection, PWC
Document Type: ALS
Dear Mr. Thomson -
Very many thanks for what you tell me of the Albums - I shall come round and arrange with you about sending off the West Point one when I get up to town -
Also taken note about the drawing of Sara -
March. Yes I fancy that we will [p. 2] turn out a very pretty show - if you only think over before hand what I try to impress upon you about the Gallery - I shouldn't like it as it stands - & I shouldn't like it left to the last moment when there might be no hope of doing any thing - You see I have even thought of the possibility of having one or two full lengths!! -
Baronet. I mean the decision against which he appealed - and was the other day obliged to withdraw his appeal & pay all the costs! I therefore remained in full possession of the picture - Which he had tried hard to have seized! -
This must go now. Thats right about the frames. Will wire when & where.
D. C. Thomson - Esq.
The Goupil Galleries
5. Regent Street.
[stamp:] POSTAGE & REVENUE / ONE PENNY
[postmark:] AXMINSTER / 10.45 AM / NO 21 / 95
[postmark on verso:] LONDON. S.W. / R / NO 21/ 95
1. [21 November 1895]
Dated from the postmark.
'75C' is written in another hand in red ink at top left and '167' in pencil at bottom right on p. 1, and also on the envelope.
A selection of photographs of paintings, mostly those from Nocturnes, Marines and Chevalet Pieces, Boussod, Valadon & Cie, Goupil Gallery, London, 1892.
Sarah Bernhardt (1844-1923), née Henrietta Rosine Bernard, actress [more]. The drawing was r.: Maud Franklin; v.: Study of Maud Franklin (M.693). It was not in fact a drawing of Bernhardt although she wrote on the glass that it was very like her!
'he appealed ... possession of' is written in the left margin of p. 2; 'the picture ... seized!-' in the right margin of p. 2; and the rest in the left margin of p. 1, at right angles to the main text.