Documents associated with: 100th exhibition, Ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants, Palais des Champs Elysées, Paris, 1882
Record 6 of 9
System Number: 09639
Date: [March/April 1882]
Recipient: Théodore Duret
Repository: Metropolitan Museum of Art, New York
Call Number: Met 192 W57/W576
Document Type: ALS
Mon cher Duret -
Il est enfin parti mon "Arrangement en Noir. No. 5."! ['Ly Meux'] - et doit être rendu demain ou apres [sic] demain à la maison Goupil - Les Goupil vous savez ayant des representants ici, have taken all the trouble off my hands -
Allez donc mon cher Duret tout de suite voir dans quel condition se trouve le tableau - Je crains que tout ça n'est pas tout a fait bien - d'abord j'ai eu le tort de le mal vernir la veille de son départ - and the varnish may have "bloomed" - you understand - so that the picture [p. 2] may have become covered with a sort of nasty thick blue veil - in which case it will want gently rubbing with a soft silk handkerchief - and afterwards when it is hung in the Salon, just before the opening it will want to be well varnished again -
Do ask Goupil to see to all this -
Meanwhile I have written also to Ephrussy and hope they will both go with you, and that they will like the picture -
The Meux have not paid me yet!! -
I hope to run over to Paris some day soon -
Do like a good fellow write me a long letter and tell me if you are still pleased with your god child - for after all you know it is you who have fathered this black "harmony"!
Always devotedly and gratefully
13 Tite Street. Chelsea.
I see that there is to be an Exhibition in the Rue du Seze with Alfred
Stevens and de Nitis at the head - Do you not think that I might send as
representing America? I should very much like to let them have the other picture
that you were so well pleased with [p. 3] I mean the one of Madame in black - with the
black hat and red feather - In a certain way you know as execution we were both
of opinion that it was a progress and I think the one would appeal to the artists and
explain or help the other - Will you ask about all this and let me know?
Of course I hope Manet will go with you and like the picture -
My "Arrangement in Black. No. 5" has gone at last and should be delivered to Goupils tomorrow or the day after tomorrow - Goupils having representatives here as you know have taken all the trouble off my hands -
So my dear Duret go right away and see what condition the picture is in - I fear that something may not be quite right - to begin with I made the mistake of varnishing it badly the day before it left [...]
Published in Spencer, Robin, ed., Whistler: A Retrospective, New York, 1989, pp. 197-98.
5. ['Ly Meux']
Inserted in another hand.
100th exhibition, Ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants, Palais des Champs Elysées, Paris, 1882.
Sir Henry Bruce Meux (1857-1900), 3rd Baronet, brewer and patron [more] and Lady Valerie Susan ('Susie') Meux (1847-1910), née Langdon, collector and patroness [more]. In 1881, Sir Henry Meux commissioned a series of three portraits Arrangement in Black: Lady Meux (YMSM 228), Harmony in Pink and Grey: Portrait of Lady Meux (YMSM 229) and Portrait of Lady Meux in Furs (YMSM 230).
Perhaps the Galerie Georges Petit.
10. Alfred Stevens and de Nitis [sic]
Alfred Émile-Léopold Stevens (1823-1906), history and portrait painter [more], and Giuseppe de Nittis (1846-1884), painter and etcher [more], exhibited alongside John Everett Millais (1829-1896), artist [more] and others at the Exposition Internationale de Peinture, Galerie Georges Petit, Paris, 1883.